University of Victoria Legacy Art Galleries

Downtown

Emerging Through the Fog

Tsa-qwa-supp and Tlehpik – Together

February 13, to May 28, 2016

Curated by Hjalmer Wenstob | With supervisory guidance from Williams Legacy Chair, Dr. Carolyn Butler-Palmer

Legacy Art Gallery Downtown

630 Yates Street

This is an exhibition of two Nuu-chah-nulth men, “Fog-God” Art Thompson from Ditidaht (1948-2003) and Hjalmer Wenstob from Tla-o-qui-aht. Two artists, two friends. Two lives together.

Featuring the prints and paintings of Art Thompson/Tsa-qwa-supp from the collection of the Legacy Art Galleries and interactive carvings by contemporary artist Hjalmer Wenstob/Tlehpik, whose work is inspired by and resonates with that of his teacher and friend Tsa-qwa-supp. Tsa-qwa-supp taught for many years and inspired a number of artists who continue his work in this day.

Emerging Through The Fog seeks to honour and commemorate the life and work of the dedicated teacher Tsa-qwa-supp on the occasion of Tlehpik’s B.F.A from the University of Victoria’s Visual Arts Department. We invite you to join us in celebrating the life of Tsa-qwa-supp, an inspiring and caring teacher.


Image (detail), Tlehpika, Hjalmer Wenstob.

Campus

New Book Histories

Publishers, Printers and Presses

February 19 - extended to June 26, 2016

This exhibition is curated by the students in English 500 (Textual Studies and Methods of Research), under the supervision of instructor Dr. Janelle Jenstad.

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Book histories often focus on authors and readers. Yet publishers and printers play key roles in both the art and business of book production. This includes the material form and aesthetics of the book, the acquisition of rights, the shaping of the text, editorial history, and canon formation. Showcasing materials from the University of Victoria Special Collections and University Archives, this exhibition traces the role of publishers and printers in literary history from early production in scriptoria to 21st-century BC small presses. Come learn how early publishers remade the codex in the sixteenth century, who owned and regulated the right to print, how 18th-century printers made Shakespeare, what drove Dickens to become his own publisher, how Lady Chatterley’s Lover escaped the censors, why serial publication mattered, and how literary archives shed light on relationships between publishers and authors.

Image Metal type, Special Collections and University Archives, UVic Libraries, photograph by John Frederick.

Natural | Supernatural

Natural | Supernatural

Nuu-chah-nulth Serigraph Prints from the University of Victoria's Permanent Collection

Curated by Allison Grey Noble and Caroline Riedel

First Peoples House

For hours & location click here

This exhibition of serigraph prints by artists Patrick Amos, Joe David, Ron Hamilton (Chuuchkamalthnii), Tim Paul, Art Thompson (Tsa-Qwass-Upp), and Glen Webster visually articulates knowledges of histories and stories that are important to the people of the Nuu-chah-nulth nations. These prints are from the university's permanent collection and originate from the print making studio of Vincent Rickard, who worked with these artists in the 1980s and 1990s. Rickard and donors George and Christiane Smyth have given the university nearly 3,000 contemporary Northwest Coast prints, making UVic's collection the most comprehensive in Canada.

Image: Supernatural, Joe David (Nuu-chah-nulth)

Upcoming

outoftheframe

Out of the Frame

Salish Printmaking

June 8 to October 1, 2016

In collaboration with Wachiay Studio (Andy McDougall) and curated by Dr. Andrea N. Walsh.

Legacy Art Gallery Downtown

630 Yates Street

Featuring work by Charles Elliott, Doug LaFortune, Angela Marston, Andy Everson, Maynard Johnny Jr., lessLIE, Chris Paul, and Dylan Thomas.

Coast Salish artists challenge ideas about printmaking by bringing the process of printing into relation with cultural traditions, personal experiences and the material world.

glen_howarth

The Averted Eye Sees

The Life and Work of Glenn Howarth

July 30, 2016 to October 23, 2016

Curated by Jenelle Pasiechnik (UVic MA, 2015)
With supervision from Caroline Riedel (Legacy Art Galleries)

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Glenn Howarth was a pillar in Victoria’s arts scene from the late 1970s until his death in 2009. He was an innovative creator and inspired teacher searching for ways to communicate the artistic process and the perceptual functions of the eye and brain that contribute to visual perception. He was also responsible for innovations in computer graphic art in the early 1980s working on the Telidon system as an artist in residence in the Engineering Department at the University of Victoria campus with Dr. Ernest Chang. In 1983 he represented Canada in the Sao Paulo Biennale with some of this work and also presented it locally at  the Art Gallery of Greater Victoria and UVic’s Maltwood Art Museum and Gallery. 

The Averted Eye Sees draws on UVic's significant collection of Howarth paintings from the Michael C. Williams estate, as well as Howarth’s writing, sketches, ephemera, and digital archive, part of the regional artists archive initiative of UVic Libraries Special Collections and Archives. It also includes a fascinating case study on the challenges of ‘retro-computing’ in recreating Howarth’s early experiments in  digital artwork.

Events & Programs

emergingthroughthefog

Reception + Celebration of Art Thompson

Food + Refreshments provided

Wednesday, March 30 | 5-8pm

Free & open to the public.

630 Yates Street

Join us in celebration of Art Thompson and the exhibition Emerging Through the Fog: Tsa-qwa-supp and Tlehpik – Together.

Artist / Curator Tour

Thursday, April 21 | 7pm

Free & open to the public.

630 Yates Street

Join artist and curator Hjalmer Wenstob, for a tour of the exhibition Emerging Through the Fog: Tsa-qwa-supp and Tlehpik – Together.

Education

Exhibitions at UVic’s Legacy Art Galleries Available as Teaching Resource

Exhibitions at UVic’s Legacy Art Galleries Available as Teaching Resource Legacy announces its exhibition and program season and invites faculty to consider including visits to the galleries as part of cross-disciplinary classroom learning opportunities or as part of assignments. With venues on campus (Legacy Maltwood in the Mearns Centre for Learning) and downtown (Legacy Art Gallery) the Legacy program is varied. Class tours, lectures and research visits can also be arranged with notice.

To view the PDF with the information for the 2015-16 season click here

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Perpetual Salish:

Coast Salish Art in the Classroom

Perpetual Salish: Coast Salish Art in the Classroom is an online resource for teachers, offering cross-curricular lesson plans to engage students and facilitate their understanding of Coast Salish culture and art.

This site is based on the exhibition Perpetual Salish: Contemporary Coast Salish Art from the Salish Weave Collection, curated by Coast Salish artist lessLIE, and originally presented at the University of Victoria's Legacy Art Gallery Downtown (August 15, 2014 - January 10, 2015). The Legacy presented tours of the exhibition for grade four classes to educate the students about Coast Salish art and culture. Coast Salish Art in the Classroom aims to bring this educational initiative to a broader audience.

Click here to visit the website Coast Salish Art in the Classroom

Image wHOle W(((h)))orl(((d))) - lessLIE, Serigraph on paper, 2014

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